Saturday, January 30, 2021
A Berry Among the Thorns
Friday, January 29, 2021
A Grassy Nest
As I looked at the mowed patches, I noticed matted swirls, and wondered what critter had made the grass its bed for the night. Was it a fox? A coyote, perhaps, that turned around three times then settled down, curled into a tight wad with its tail covering its nose? We tend not to think of wildlife in a place so urban as this overgrown strip mall, but the stretch of concrete and asphalt definitely has another life when the humans have mostly departed for their own burrows: One morning years ago, I was walking along the arcade when I noticed a scattered pile of flesh and feathers, where an owl had taken and eaten its prey. And here, in the bottom picture, is a question mark, showing me that something had been there, but not told me what. Another aspect of life that goes on out of our sight.
Wednesday, January 27, 2021
Where "Gone With the Wind" Meets "Frozen"
Monday, January 25, 2021
Teen-Age Orchid Leaf: Two Red Edges
Sunday, January 24, 2021
Brown IV: Placeholder for Spring
Saturday, January 23, 2021
Cabbage Boutonniere
Friday, January 22, 2021
Alligators in the Snow
Thursday, January 21, 2021
The White Plaster House
One morning, a bit over a year ago, I was on my way to an appointment on the east side of town. While the morning light was cold and bright, I was still not prepared to see a gleaming white cottage at the corner of East 10th Street and Arsenal Avenue. In fact, in a neighborhood made up primarily of wooden frame, vinyl-sided homes, the smooth white stucco walls were a surprise.
Later, I looked for information and found the home was built in 1886 by William T. Prosser, a plaster craftsman who immigrated to Indianapolis from England in 1870. He was employed as a plasterer and sculptor by the Indianapolis Terra Cotta Company, so it is not unusual that he used his home to display his skills. In fact, a description describing Prosser's home/studio stated "This house shows an interesting use of detail, especially in the decorated plaster ceilings, unusual in a house of this size."
These images, from the 1958 LOC Historic American Buildings Survey, show ceiling details from the home's interior. Photos by E. Roger Frey |
Wednesday, January 20, 2021
B-B-Bright and C-C-Colorful
Tuesday, January 19, 2021
Brown III: Straight and Curvy
During my search for "brown" my eyes fell on this group of wintering trees against the granite wall of an IUPUI classroom building. Bathed as they were in the pale winter sun, the trees and the wall made me think of chic winter suiting - all gray tweed, beige, and taupe fabrics striking their poses on the runway.
Monday, January 18, 2021
Street Art: Dots and Dashes
Just as I was going to the catch the bus for the second leg of my journey, I noticed these orange dots and hash marks at the intersection. They seemed to align with the traffic lights and, later, I found that orange is the color used by workers to mark the location of underground signals.
Happy with the results of the first leg, and the discovery of the orange marks, I caught the bus for the second part of the trip. The little adventure went well, indeed, almost as if I'd carefully allotted twenty minutes to take pictures of my subjects before I had to go on to the next location! Tah-dah!
Sunday, January 17, 2021
A Season's Colors
Tuesday, January 12, 2021
No Outside Air
Monday, January 11, 2021
Zowey! Look at the Color!
Sunday, January 10, 2021
A Frosted Edge
Saturday, January 9, 2021
Men at Work
Friday, January 8, 2021
Looking for Brown II
The longer I looked at this picture, the more browns I saw. The dried hydrangeas seem to have more yellow in them than other areas, while leaves and bits of mulch have red, making the color seem more like burnt sienna. And the darkest bits are carrying more blue. Since brown is a tertiary color, one that is a mixture of red, yellow, and blue, how the balance of those colors are made determines the sort of brown the artist gets. One definition reads: "Tertiary colors are those that are made by either primary colors with secondary colors, or two secondary colors, or a full saturation of primary color and a half saturation of another primary color." WTF? Meh, I just mix blue with its opposite on the color wheel, which is orange. Since orange is a mixture of red and yellow, I just vary the mixture until I get what I want.